Is there a way to remove these spike automatically with some effect?Īny help you can give me is greatly appreciated! I think thise as caused my hitting the play button on the playback device when the original clip was recorded. Is there another way of achieving my goal?Īlso, I see big, but very short spikes at the beginign of some of the clips that were concatenated toher. I think what I need is a compressor / limiter effect? Does Amadeus have something like this? I've gone through all of the built in effects. If I use the amplify function, again same kind of problem - the louder clips saturate when I amplify the quieter clips to where I need them to be. If I use the Normalize function, the loudest clip to sound correct, but the quiter clips are still to low. I need to get the final audio file to has a consistant volumes from start to finish. I have to process some long audio files that were created by concatenating a series of smaller clips that were recorded at different volumes. If you’re looking for a compelling and feature-rich audio editor and don’t have a lot of money to spend, I think you’ll be won over, too.Īmadeus Pro requires Mac OS X 10.4 or later.I am running the latest version of Amadeus on my Mac OS/X 10.7.5. And speaking of documentation, while nearly all the features are covered, their explanations could be clearer.īut, frankly, I’m willing to forgive these few quirks given the program’s price. The online documentation provides no help with this. For example, most traditional audio editors offer a Silence command for reducing the current selection to silence you can accomplish this with Amadeus Pro, but it takes a few moments to figure out that you must choose Silence Generator from the Effects menu, enable the Duration of Selection option, and then click OK. And some of the commands could be more intuitive. For example, the program supports multiple tracks yet there’s no easy way to crossfade between one set of stereo tracks and the next. Supporters of the free Audacity may claim that their choice of audio editors is an even a greater bargain, but I find Audacity’s interface convoluted and the program occasionally unstable. While Amadeus’ batch processing and support for a wide variety of audio formats are unique-Sound Studio supports Ogg Vorbis but not FLAC-much of Amadeus Pro’s attraction boils down to price: It costs a measly $40, and for those forty smackers you get a remarkably-complete audio-editing solution. Those familiar with other traditional audio editors such as Felt Tip Software’s Sound Studio 3 ($80) and Bias’ Peak LE ($129) may wonder what sets Amadeus Pro apart from these likewise-capable applications. These noise-suppression features aren’t as capable as those provided by Bias’ $129 SoundSoap noise-reduction plug-in, but they can adequately remove the most-common kinds of noise you find in audio files-hum and rumble, for example. The Effects menu also includes tools for reducing or eliminating noise, including Interpolate-a command that attempts to smooth over tiny clicks and blips by removing the most-offensive characteristics of the sound-as well as a Denoising command, which lets you remove common types of noise or noise based on a sample of that noise you provide. For example, Amadeus’ Effects menu gives you quick access to Echo, Amplify, Equalizers, VST Effects, Stereo Utilities (including Balance, Invert Phase, and Swap Channels), Audio Units, Change Pitch and Speed, Normalize, Fading (Fade In and Out, as well as crossfade), and Reverse options. Just as with other traditional sound editors, you select sections of audio by dragging a selection cursor over the waveform you can then apply a variety of filters and effects to the selected sound. Amadeus Pro’s traditional audio-waveform view.
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